Once, after paying for a coffee in Milan, I was handed a receipt with typography that was strikingly hard to read. This sparked a thought: could such low legibility be a cool inspiration for a new typeface? I imagined creating a display font with reverse contrast specifically designed for low legibility in texts. 

Two years later, this idea resurfaced, and after a brief research into typefaces with reverse contrasts, I decided to delve deeper into my typography skills. From this journey, Neue-Receipt was born, a typeface with a unique personality suited for logos, short phrases, and various contemporary uses, all while paying homage to modernism.